AUDITIONS

Stray Dog Theatre (SDT) is holding non-Equity auditions for roles in our upcoming 2027 Season and the 2026 Silver Stage production.

Please carefully read all information below to ensure you understand everything we will need from you as part of this audition process.

As always, SDT honors diversity and non-traditional casting practices.

Auditions will be scheduled in half hour blocks allowing you to have a predetermined audition time. Once you have been assigned a time you WILL NOT be able to reschedule. If you miss your scheduled time or are unable to secure an appointment for a date/time you are available, you may join an in-person waitlist on any of the audition dates. We will do our best to see you in the order you arrived as time allows, but we cannot guarantee those on the in-person waitlist will be seen.

QUICK LINKS

TO SCHEDULE A 2027 SEASON AUDITION

TO SCHEDULE A SILVER STAGE AUDITION

THE HUNCHBACK OF NOTRE DAME

Mel Brooks’ YOUNG FRANKENSTEIN

SLIVER STAGE PRODUCTION

SIDES

TO SCHEDULE A 2027 SEASON AUDITION

Email auditions@straydogtheatre.org (No phone calls, please.)

Please note that this is not an automated email and may take up to 48 hours to receive a response.

Include:

Your Name
Contact Phone Number
Preferred Audition Time(s)
- Please include multiple options in the event your first choice is not available.
- Please note if you wish to audition for both plays and musicals you will need to request two audition times.
Show(s) For Which You Wish To Audition

Email will be the primary means of communication throughout the Audition process so please be sure to use an email address to which you have regular access. Also be sure to check your spam folders and/or clear “auditions@straydogtheatre.org" in your email software to prevent missing out on communication.

TO SCHEDULE A SILVER STAGE AUDITION

Email auditions@straydogtheatre.org (No phone calls, please.)

Please note that this is not an automated email and may take up to 48 hours to receive a response.

Include:

Your Name
Contact Phone Number
Preferred Audition Time(s)
- Please include multiple options in the event your first choice is not available.

AUDITION DATES

2027 Season Auditions will be held on:

Sunday, August 16, 2026: 6:00 PM - 10:00 PM

Monday, August 17, 2026: 6:00 PM - 10:00 PM

Tuesday, August 18, 2026: 6:00 PM - 10:00 PM

Wednesday, August 19, 2026: 6:00 PM - 10:00 PM

Please note that you can not audition for plays and musicals at the same time. You will need to request two times if you are interested in both types of productions. Your auditions will occur in two different half hour blocks.

2026 Silver Stage Auditions will be held on:

Thursday, August 27, 2026: 6:00 PM - 10:00 PM

Silver Stage Auditions and Callbacks will all be held on the same day.

CALLBACKS

All 2027 Season Callbacks will be held Sunday, August 30, 2026 starting at 12:00 PM.

Everyone being called back will receive an email from auditions@straydogtheatre.org on/before Friday, August 21, 2026. This email will include material we would like you to prepare for your callback. Please Note: You may be in consideration for a role even if you are not called back.

Callbacks will be held in person at Tower Grove Abbey (2336 Tennessee Avenue, Saint Louis, Missouri 63104). Callbacks will be scheduled throughout the day and you will be given specific times if you are called back.

HOW TO AUDITION

Location: Tower Grove Abbey, 2336 Tennessee Ave., Saint Louis, Missouri 63104 (Off-street parking at lot north of the Abbey.)

Please arrive early to complete necessary paperwork.
Bring one copy of your headshot and resume for EACH production for which you are auditioning. Providing the appropriate number of headshots and resumes will help us remember you and assist us in considering you for multiple shows.
To assist you in having the best audition possible, be sure to read and review the Production Information and Character Breakdowns below. It is highly recommended that you read and familiarize yourself with the shows and characters for which you are auditioning prior to your audition.
FOR PLAY AUDITIONS: SDT will provide audition sides for you. They are available on our website at the very bottom of this page. You may read a provided side, or prepare one 2-3 minute monologue. You will be stopped at 3 minutes. It is highly recommended that you read one of the provided sides. You may be asked by the casting directors to read additional sides if necessary.
FOR MUSICAL AUDITIONS: Prepare two contrasting 32-bar cuts of a rock, pop, or contemporary musical theatre song that showcases your vocal abilities. Accompanist provided. Bring sheet music, marked and in the appropriate key. No recorded tracks or a cappella. You will be stopped after 32 bars. You may be required to demonstrate belt and range or asked to read sides from the shows.
FOR SILVER STAGE AUDITIONS: SDT will provide audition sides for you. They will be available on our website at the very bottom of this page on August 1, 2026. You may be asked by the director to read additional sides if necessary.

We may see all we need from you at your general audition, and you may be considered for a role without being invited to callbacks. However, if you are called back, it is essential that you attend in order to be considered for roles. Please make yourself available in advance to ensure that you can attend in the event we need to see you. We see a high volume of actors over a very short time; attending callbacks is the best opportunity to make an impression.

The standard SDT pay scale per main stage production for non-Equity actors in a Principal Role is $400 and $300 for actors in a Supporting Role. This stipend covers rehearsals, performances, and special events. (Special events may include: media interviews, fundraising parties, etc.) If considered, Actors’ Equity members are paid according to the Special Appearance Contract.

Stray Dog Theatre is a non-union house. It does not provide housing, transportation, or transportation reimbursement for performers. Performers must be local artists or those that can provide their own housing and transportation. Performances takes place at Tower Grove Abbey (2336 Tennessee Avenue, Saint Louis, Missouri 63104). The majority of rehearsals also take place at Tower Grove Abbey. The rehearsal period is spread out over a 5-8 weeks and rehearsals occur up to five days per week, typically evening during the week and afternoons on the weekend.

Please be aware that SDT is a professional organization and expects professional work etiquette from actors and technical crew. Basic rules of time management for calls, honoring off-book deadlines, and memorizing lines/music exactly as they are written in the script are some of the professional requirements expected. Please take note of these requirements before accepting a role.

SWINGS

Swings may be cast for specific productions as indicated in the show breakdown and pay may differ based on production/role. Stray Dog Theatre’s expectations and requirements for swings are as follows:

Swings will hold an ensemble role for the show in addition to roles being covered.
Swings will be expected to attend all rehearsals that their covered roles are called for even if ensemble is not called.
There is no guarantee of performance coverage.

FOLLOW UP

Everyone who auditions will receive a follow up email on/by Wednesday, September 2, 2026 with news of their status in the casting process.

Casting Authority: Gary F. Bell and Justin Been

PRODUCTIONS

RED

By John Logan

February 4-20, 2027

8 PM Thursdays-Saturdays

Additional performances 2 PM Sunday, February 7 and Sunday, February 14.

Set in the New York studio of renowned abstract expressionist painter Mark Rothko, Red is a gripping and passionate drama about art, ambition, and legacy. As Rothko works on a career-defining commission, he clashes with his young assistant in a battle of ideas that challenges both men’s beliefs about creativity, success, and the purpose of art.

Directed by Gary F. Bell

Red (Logan) is presented by arrangement with Concord Theatricals on behalf of Dramatists Play Service. www.concordtheatricals.com

Script: https://www.concordtheatricals.com/s/6935/red-logan

First Rehearsal: January 3, 2027

Performances

February 4, 2027 | 8PM

February 5, 2027 | 8PM

February 6, 2027 | 8PM

February 7, 2027 | 2PM

February 11, 2027 | 8PM

February 12, 2027 | 8PM

February 13, 2027 | 8PM

February 14, 2027 | 2PM

February 18, 2027 | 8PM

February 19, 2027 | 8PM

February 20, 2027 | 8PM

ROLES TO BE CAST

Ken (Principal Role; 20s; Script Gender: Male; Any Ethnicity)

Bright, eager, and ambitious. A young art student hired as assistant to celebrated abstract painter Mark Rothko. Intelligent and curious, Ken arrives with enthusiasm and respect for the art world but gradually finds the confidence to challenge his mentor's beliefs, methods, and artistic philosophy. Requires strong emotional range, sharp wit, and the ability to hold his own opposite a commanding presence. The role demands thoughtful dialogue, vulnerability, humor, and growing self-assurance.

Casting Note: The role is dialogue-heavy and requires excellent memorization and the ability to sustain a compelling two-person drama.

The role of Mark Rothko has been precast.

SEUSSICAL

Music By Stephen Flaherty

Lyrics By Lynn Ahrens

Book By Lynn Ahrens and Stephen Flaherty

Co-Conceived By Lynn Ahrens, Stephen Flaherty, and Eric Idle

Based On The Works Of Dr. Seuss

April 1-24, 2027

8 PM Thursdays and Saturdays

2 PM Fridays and Sundays

Step into the whimsical world of Dr. Seuss with a fantastical musical adventure bursting with unforgettable characters, colorful imagination, and a toe-tapping score. Guided by the mischievous Cat in the Hat, the story follows Horton the Elephant as he embarks on an extraordinary journey to protect the tiny Whos living on a speck of dust while caring for an abandoned egg left behind by the irrepressible Mayzie La Bird. Filled with heart, humor, and beloved Seuss favorites, Seussical celebrates friendship, loyalty, family, and the power of believing in the impossible. A magical musical extravaganza for audiences of all ages!

Directed by Justin Been

Seussical is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Apple Music: https://music.apple.com/us/album/seussical-2000-original-broadway-cast/1440752431

Spotify: https://open.spotify.com/album/1O4Z2W8WXk6eoeAIQy67Ze?si=MeM30b3wR3OXWGsG4yaCow

First Rehearsal: February 21, 2027

Performances

April 1, 2027 | 8PM

April 2, 2027 | 2PM

April 3, 2027 | 8PM

April 4, 2027 | 2PM

April 8, 2027 | 8PM

April 9, 2027 | 2PM

April 10, 2027 | 8PM

April 11, 2027 | 2PM

April 15, 2027 | 8PM

April 16, 2027 | 2PM

April 17, 2027 | 8PM

April 18, 2027 | 2PM

April 22, 2027 | 8PM

April 23, 2027 | 2PM

April 24, 2027 | 8PM

IMPORTANT: This production will have daytime matinees on Fridays during the run. You will need to be available for these performances to accept a role in this show.

ROLES TO BE CAST

Cat in the Hat (Principal Role; 18+; Script Gender: Any; Any Ethnicity; Vocal range: F2–F4)

Our story's omniscient narrator, he is fun loving and enjoys rhyming. Pops up throughout the story to help the audience. Goofy and unpredictable but also wise and attentive.

Horton the Elephant (Principal Role; 18+; Script Gender: Male; Any Ethnicity; Vocal range: A2–F4)

Our story's main character, he is a compassionate and gentle elephant. Commonly misunderstood. He is protective and loving of all creatures in the jungle. His big heart makes it easy for others to take advantage of him.

Gertrude McFuzz (Principal Role; 18+; Script Gender: Female; Any Ethnicity; Vocal range: F3–F5)

Horton's one-feathered-tail bird neighbor. Gertrude is sweet and timid. Though kind and loyal, she is also self-conscious of her shortfalls.

JoJo (Principal Role; 8+; Script Gender: Male; Any Ethnicity; Vocal range: Ab3-C5)

The Mayor's son, he is a Who that is always finding trouble. Bright, creative, and inadvertently mischievous. Possesses a wildly expansive imagination and finds solace in his friendship with Horton.

Mayzie Labird (Principal Role; 25+; Script Gender: Female; Any Ethnicity; Vocal range: G3–Eb5)

The most beautiful bird in all of the jungle. Oblivious to her self-centered ways, she relies on her talent of manipulation, and intoxicating beauty, to navigate her way through life.

The Sour Kangaroo (Principal Role; 25+; Script Gender: Female; Any Ethnicity; Vocal range: F#3–F5)

The 'leader' of the jungle. She is loud, brassy, and stubbornly set in her ways. A caring mother, but unabashedly sassy and soulful.

Mr. Mayor (Supporting Role; 25+; Script Gender: Male; Any Ethnicity; Vocal range: A3–E4)

The Mayor of Whoville. He struggles to understand his son JoJo, but loves him dearly. Even if he doesn’t always make the right decisions in how to raise him.

Mrs. Mayor (Supporting Role; 25+; Script Gender: Female; Any Ethnicity; Vocal range: A3–C5)

She and her husband are struggling to raise their son in such a difficult time.

Wickersham Brothers (Supporting Role; 18+; Script Gender: Male; Any Ethnicity; Vocal range: G2–G4)

Three monkey brothers and citizens of the Jungle of Nool. These are not bad guys! They're simply a lot like kids who tease, play pranks, and get a kick out of making mischief, although often at others' expense

Yertle the Turtle (Supporting Role; 30+; Script Gender: Male; Any Ethnicity; Vocal range: F3–F4)

A citizen of the Jungle of Nool who acts as judge in Horton’s “trial”.

General Genghis Khan Schmitz/Vlad Vladikov (Supporting Role; 30+; Script Gender: Male; Any Ethnicity; Vocal range: F3–Eb4)

The leader of the Who army leading his troops into the Butter Battle.

Swings* (Swing Role; 8+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Swings will cover principal roles. As ensemble, swings will play the roles of Whoville residents, Bird Girls, Fish, Circus Performers, Hunters, Cadets, and Hunches.

Ensemble (Supporting Role; 18+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Ensemble will play the roles of Whoville residents, Bird Girls, Fish, Circus Performers, Hunters, Cadets, and Hunches.

*The pay scale for this production is $400 for a Principle Role, $350 for a Swing Role, $300 for a Supporting Role.

HURRICANE DIANE

By Madeleine George

June 3-19, 2027

Additional performances 2 PM Sunday, June 6 and Sunday, June 13.

In this witty comedy, the Greek god Dionysus—disguised as a charming, butch lesbian gardener named Diane—arrives in a suburban New Jersey cul-de-sac with a secret mission. Her goal is to recruit a cult of mortal followers and restore the Earth to its natural state before a massive hurricane hits. To do this, she targets four local housewives, offering to transform their manicured, suburban lawns into lush, primeval forests.

Directed by Gary F. Bell

Hurricane Diane is presented by arrangement with Concord Theatricals on behalf of Dramatists Play Service. www.concordtheatricals.com

Script: https://www.concordtheatricals.com/s/65789/hurricane-diane

First Rehearsal: May 2, 2027

Performances

June 3, 2027 | 8PM

June 4, 2027 | 8PM

June 5, 2027 | 8PM

June 6, 2027 | 2PM

June 10, 2027 | 8PM

June 11, 2027 | 8PM

June 12, 2027 | 8PM

June 13, 2027 | 2PM

June 17, 2027 | 8PM

June 18, 2027 | 8PM

June 19, 2027 | 8PM

ROLES TO BE CAST

Diane (Principal Role; 30-60; Script Gender: Female; Any Ethnicity)

A mysterious, charismatic landscaper who is actually the Greek god Dionysus in human form. Earthy, magnetic, witty, and unpredictable, Diane upends the carefully ordered lives of four suburban women. The actor should possess intelligence, humor, warmth, and an effortless ability to command the stage while balancing comedy with mythic gravitas.

Carol Fleischer (Principal Role; 30-60; Script Gender: Female; Any Ethnicity)

An ambitious, image-conscious homeowner obsessed with creating the perfect garden—and the perfect life. Practical, controlling, and always striving for status, Carol masks deep anxieties beneath confidence and sophistication. Excellent comic timing and emotional depth are essential.

Beth Wann (Principal Role; 30-60; Script Gender: Female; Any Ethnicity)

A warm-hearted, nurturing mother whose optimism and generosity often conceal dissatisfaction with her marriage and sense of self. Beth is compassionate, funny, and emotionally open.

Pam Annunziata (Principal Role; 30-60; Script Gender: Female; Any Ethnicity)

A sharp, highly educated academic who believes logic can explain everything. Wry, skeptical, and intellectually confident, Pam uses humor and analysis as emotional armor. Requires an actor comfortable with fast-paced language, dry wit, and vulnerability.

Renée Shapiro-Epps (Principal Role; 30-60; Script Gender: Female; Any Ethnicity)

A successful businesswoman who prides herself on discipline, control, and practicality. Beneath her polished exterior lies loneliness, longing, and a deep need for connection. Strong comic instincts paired with emotional honesty are key.

Casting Note: This is a contemporary comedy infused with Greek mythology. Actors should be comfortable with heightened language, physical comedy, and emotionally truthful performances. The play balances laugh-out-loud humor with moments of genuine transformation and vulnerability.

THE HUNCHBACK OF NOTRE DAME

Music by Alan Menken

Lyrics by Stephen Schwartz

Book by Peter Parnell

Based on the Victor Hugo novel and songs from the Disney film

Originally Developed by Disney Theatrical Productions

August 5-28, 2027

8 PM Thursdays-Saturdays

Additional performances 2 PM Sunday, August 8; Sunday, August 15; and Sunday, August 22.

As the bells of Notre Dame ring over fifteenth-century Paris, Quasimodo dreams of life beyond the towers he calls home. When he encounters the compassionate Esmeralda, he is swept into a stirring journey of love, sacrifice, and self-discovery. Featuring the Academy Award-nominated songs from Disney’s animated classic alongside powerful new music, The Hunchback of Notre Dame combines breathtaking spectacle, a majestic score, and some of the most thrilling choral music ever written for the stage. This epic and deeply moving musical promises to be our most ambitious production yet.

Directed by Justin Been

The Hunchback of Notre Dame is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Apple Music: https://music.apple.com/us/album/the-hunchback-of-notre-dame-studio-cast-recording/1440356974

Spotify: https://open.spotify.com/album/6KpStFxRlr2jBWpZkyUeUO?si=jCgmibZKTsiYp1-N8RwzJQ

First Rehearsal: June 20, 2027

Performances

August 5, 2027 | 8PM

August 6, 2027 | 8PM

August 7, 2027 | 8PM

August 8, 2027 | 2PM

August 12, 2027 | 8PM

August 13, 2027 | 8PM

August 14, 2027 | 8PM

August 15, 2027 | 2PM

August 19, 2027 | 8PM

August 20, 2027 | 8PM

August 21, 2027 | 8PM

August 22, 2027 | 2PM

August 26, 2027 | 8PM

August 27, 2027 | 8PM

August 28, 2027 | 8PM

Production Content Notice:

The Hunchback of Notre Dame contains adult situations, staged intimacy, and references to non-consensual sexual encounters. Some material may be sensitive for certain performers.

This production is presented in keeping with the original script and period of the work and contains humor and themes that reflect the time in which it was written and represents.

Please note that certain roles require physical contact. All intimate and physical interactions will be choreographed following established safety practices and consent-based protocols.

ROLES TO BE CAST

Quasimodo (Principal Role; 18-30; Script Gender: Male; Any Ethnicity; Vocal Range: Bb5-Bb2)

The deformed bell-ringer of Notre Dame and Claude Frollo’s charge. Lonely and staunchly obedient to Frollo, he possesses a vivid imagination that brings to life the bells and gargoyles of the cathedral. Despite his shyness and uncertainty, he quickly befriends Esmeralda. Big-hearted, and brave when need be.

Esmeralda (Principal Role; 18-30; Script Gender: Female; Any Ethnicity; Vocal Range: D5-E3)

A beautiful and free-spirited woman who possesses the strong sense of justice and morality that Frollo lacks. Compassionate, she frees Quasimodo from the frenzied mob at the Feast of Fools and, against her better judgment, falls for the cocky Phoebus.

Claude Frollo (Principal Role; 40+; Script Gender: Male; Any Ethnicity; Vocal Range: Bb4-E2)

Archdeacon of Notre Dame Cathedral and the most powerful cleric in Paris, he is the reluctant caretaker of Quasimodo. He will do whatever it takes to rid the city of the gypsy “vermin,” even as he lusts after Esmeralda. Calculating, manipulative, and obsessive.

Captain Phoebus de Martin (Principal Role; 25-40; Script Gender: Male; Any Ethnicity; Vocal Range: Ab4-A2)

Returning to Paris after serving in the war, Phoebus takes up his new position as Captain of the Cathedral Guard. Overconfident yet charming, this handsome, strong soldier makes the ladies swoon, yet his moral compass is also strong, and he openly defies the corrupted Frollo.

Clopin Trouillefou (Principal Role; 25-40; Script Gender: Male; Any Ethnicity; Vocal Range: F#5-D3)

The clever and charismatic King of the Gypsies. An air of mystery surrounds Clopin, who often leaves the scene in a puff of smoke. As the master of ceremonies for the Feast of Fools, he is witty and playful, but he boasts a darker, serious nature when not performing for the crowd.

Swings* (Swing Role; 18+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Swings will cover principal roles. As ensemble, swings will play the roles of gargoyles, soldiers, and citizens of Paris.

Ensemble (Supporting Role; 18+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Ensemble will play the roles of Jehan Frollo, Florika, Father Dupin, King Louis XI, Lieutenant Frederic Charlus, Tribunal, Madam, Saint Aphrodisius, gargoyles, soldiers, and citizens of Paris.

Choir* (Choir Role; 18+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Please Note: The choir will have a dramatically reduced rehearsal schedule but will be required at all performances.

*The pay scale for this production is $400 for a Principle Role, $350 for a Swing Role, $300 for a Supporting Role, $200 for a Choir Role.

Mel Brooks’ YOUNG FRANKENSTEIN

Book by Mel Brooks and Thomas Meehan

Music and Lyrics by Mel Brooks

October 7-30, 2027

8 PM Thursdays-Saturdays

Additional performances 2 PM Sunday, October 17 and Sunday, October 24.

It’s alive! Mel Brooks’ Young Frankenstein unleashes a monstrously funny musical comedy filled with mad scientists, bumbling assistants, misunderstood monsters, and nonstop laughs. After Dr. Frederick Frankenstein inherits his infamous family’s castle in Transylvania, he’s determined to escape his grandfather’s legacy—until a few questionable experiments tempt him to follow in those very large footsteps. Packed with Brooks’ signature wit, outrageous gags, and catchy songs, this wickedly funny adaptation of the comedy classic is a frightfully good time for anyone who loves their monsters with a healthy dose of mayhem.

Directed by Justin Been

Mel Brooks’ Young Frankenstein is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Please note this production will be using the West End version of the script.

Apple Music: https://music.apple.com/us/album/mel-brooks-young-frankenstein/1565037446

Spotify: https://open.spotify.com/album/2rbK7B3cBA3n0gJK4feAWG?si=P_2af1SUSsGmpLpwhnShcg

First Rehearsal: August 22, 2027

Performances

October 7, 2027 | 8PM

October 8, 2027 | 8PM

October 9, 2027 | 8PM

October 14, 2027 | 8PM

October 15, 2027 | 8PM

October 16, 2027 | 8PM

October 17, 2027 | 2PM

October 21, 2027 | 8PM

October 22, 2027 | 8PM

October 23, 2027 | 8PM

October 24, 2027 | 2PM

October 28, 2027 | 8PM

October 29, 2027 | 8PM

October 30, 2027 | 8PM

Production Content Notice:

Young Frankenstein contains adult language, sexual humor, innuendo, simulated smoking, staged intimacy, and references to non-consensual sexual encounters. Some material may be sensitive for certain performers. Due to the nature of this show, performers must be 18 or older.

This production is presented in keeping with the original script and period of the work and contains humor and themes that reflect the time in which it was written and represents.

Please note that certain roles require physical contact and staged intimacy. All intimate and physical interactions will be choreographed following established safety practices and consent-based protocols.

Certain roles also require the portrayal of smoking through the use of approved theatrical smoking props.

Specific role requirements related to intimacy, physical contact, and simulated smoking are identified within the character descriptions below.

ROLES TO BE CAST

Dr. Frederick Frankenstein (Principal Role; 25-35; Script Gender: Male; Any Ethnicity; Vocal range: A2-G4)

Brilliant brain surgeon, professor, and grandson of mad scientist Dr. Victor Von Frankenstein. Tap dancing a plus.

Role Note: Requires physical contact, staged intimacy, and simulated sexual activity.

The Monster (Principal Role; Age: Indeterminate; Script Gender: Male; Any Ethnicity; Vocal range: Db3-Gb4)

The misunderstood creation of Dr. Frankenstein. Must be able to emit howling/monster/grunting sounds. Tap dancing a plus.

Role Note: Role includes adult themes, sexual humor, references to non-consensual sexual encounters, and simulated smoking. Requires significant character physicality and movement work. The actor may spend much of the show in heavy makeup, prosthetics, specialized footwear, and/or costume pieces.

Igor (Principal Role; Age: Unimportant; Script Gender: Male; Any Ethnicity; Cockney Accent; Vocal range: B2-A4)

Frederick’s faithful, bright-eyed, eager servant and friend–with a hunchback. Tap dancing a plus.

Inga (Principal Role; 20-30; Script Gender: Female; Any Ethnicity; German or Romanian Accent; Vocal range: G3-F#5, Yodeling)

Frederick’s bubbly, naive young assistant. A resident of Transylvania. Must tap dance.

Role Note: Requires physical contact, staged intimacy, and simulated sexual activity.

Elizabeth Benning (Principal Role; 25-35; Script Gender: Female; Any Ethnicity; Vocal range: F#3-Bb5)

Self-loving, “madcap”, boisterous fiancé of Frederick. Tap dancing a plus.

Role Note: Includes performance of highly suggestive musical material, sexual humor, references to adult sexual situations, and discussions of non-consensual sexual encounters. Requires simulated smoking.

Frau Blücher (Principal Role; 40-60+; Script Gender: Female; Any Ethnicity; German or Romanian Accent; Vocal range: E3-Ab4)

Intense, stern housekeeper of Frankenstein estate. Former lover of Victor Frankenstein. Tap dancing a plus.

Role Note: This role requires the use of a simulated cigar.

The Hermit (Supporting Role; 30-60+; Script Gender: Male; Any Ethnicity; Vocal range: G2-A4)

A lonely, blind town resident longing for companionship. Tap dancing a plus.

Role Note: This role requires simulated smoking.

Inspector Hans Kemp (Supporting Role; 40-50; Script Gender: Male; Any Ethnicity; German or Romanian Accent; Vocal range: A3-F4)

Head of the police in Transylvania, with a wooden arm and leg. Justice-driven. Tap dancing a plus.

Swings* (Swing Role; 18+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Swings will cover principal roles. As ensemble, swings will play the roles of Villagers, Medical Students, Gravediggers, and Passengers. Tap dancing a plus.

Ensemble (Supporting Role; 18+; Script Gender: Any; Any Ethnicity; Vocal Range: SATB)

Ensemble will play the roles of a Barbershop Quartet, Bertram Batram, Felix, Bob, Masha, Sasha, Tasha, Werewolf, Purser, Steward, Gravediggers, Villagers, Medical Students, and Passengers

*The pay scale for this production is $400 for a Principle Role, $350 for a Swing Role, $300 for a Supporting Role

SLIVER STAGE PRODUCTION

STILL GOT IT

By Jude Hagene

November 6-8, 2026

8 PM Friday-Saturday

Additional performance 2 PM Sunday, November 8.

Love, laughter, and a little harmless trouble are alive and well at New Haven’s Happy Retirement Village. As friendships blossom, secrets are revealed, and residents discover new reasons to embrace life, this delightful comedy reminds us that it’s never too late to find love, make memories, and prove you’ve still got it.

Directed by Jude Hagene

First Rehearsal: September 12, 2026

Performances

November 6, 2026 | 8PM

November 7, 2026 | 8PM

November 8, 2026 | 2PM

Please Note: There will also be a preview presented on Saturday, September 26 at 6PM for the St. Louis Public Radio Theatre Showcase.

ROLES TO BE CAST

Ivy (55+; Script Gender: Female; Any Ethnicity)

A sweet peace-keeping widow who likes to read and visit with her grandson.

Oscar (55+; Script Gender: Male; Any Ethnicity; Informal British Accent)

A grumpy, ex-Navy guy from England.